The annual Islington Town Hall 'Spring Ball' Event provided an exciting opportunity for the various creative projects at Claremont to present their work to an appreciative audience. The event marked the publication of the poetry book that the art group had illustrated with original works. Their was also a multi-media presentation on the theme of William Blake, to which the group also contributed, in the form of some wonderful animations taken from some flipbooks they had created, as well as examples of the brilliant and diverse work they had created over the several months of projects relating to William Blake.
Friday, 16 August 2013
16. William Blake Project Continued / Printmaking, Jan-March 2013.
The last part of our extensive William Blake project, was spent developing an awareness of various printmaking techniques. These included types of monoprinting, transfer-printing, and linocut printing. The aim was to understand the processes involved, then use them for a joint poetry publication, which we would develop in conjunction with the writing group at Claremont. Examples of their initial linocut prints can be seen below.
Tuesday, 22 January 2013
15. William Blake Project, Sept - Dec 2012.
In September 2012 we began a long-term project, which will culminate in a multi-media presence at the annual Spring Ball, at Islington Town Hall, in 2013.
We started to draw influence from Blakes artwork, in particular his book illustrations, and the way he combined word and image. Early sessions focused on his poetry, which we illustrated with paint, ink, collage, and finally flip-books, to animate ideas of words in his poems that the members found inspiring. These will be scanned page by page to create moving images to be projected at the Spring Ball.
In the latter stages of the second term we started the process of working with printmaking techniques, using a simple 'string-printing' process to create images, again inspired by William Blakes poetry.
Examples of early experiments combining imagery and Blakes poetry:
We started to draw influence from Blakes artwork, in particular his book illustrations, and the way he combined word and image. Early sessions focused on his poetry, which we illustrated with paint, ink, collage, and finally flip-books, to animate ideas of words in his poems that the members found inspiring. These will be scanned page by page to create moving images to be projected at the Spring Ball.
In the latter stages of the second term we started the process of working with printmaking techniques, using a simple 'string-printing' process to create images, again inspired by William Blakes poetry.
Examples of early experiments combining imagery and Blakes poetry:
The group worked together on a mural, inspired by and titled after the line, 'To see a world in a grain of sand'. Each member contributed a world in a grain of sand to the collective beach:
Collage techniques were used to further develop themes in Blakes poems, the members focusing on powerful, emotive lines, to produce equally stirring imagery:
String-printing, where a drawing is created using string glued to a printing base, was the members first exercise in working with the intricate aspects of print making, as they continued to explore the possibilities in working with Blakes words and images:
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